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Instead George Miller made off with about 150 million of Warner Brothers' money and came back with a dizzying passion project bathed in sound and fury. I could totally have seen a younger director taking the reins on this project but still being weighed down by the pressure to "pay homage" and this would have been yet another reboot that fizzled and died. From every car morphed into a hulking beast, every misshapen and disgusting denizen of the Wasteland and every deftly orchestrated explosion it's clear that George Miller thought modern audiences needed to see his new vision of Mad Max. He must have been cooking up crazy idea after crazy idea over these 30 years and Fury Road is an imagination unleashed. It brought tears to my eyes and I couldn't even believe it was real.Īnd while bringing the original director back can be a bit tricky and could've been a move more motivated by nostalgia, Fury Road proves without a doubt that it's Miller's taste for fire and blood that makes the Mad Max films really zing.
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Seriously the finale of this movie is something to be cherished as a once in a lifetime experience that I doubt you'll ever forget.
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It develops into a rollicking chase film that takes no prisoners, full of fire and bloodshed and setpiece after brilliant setpiece, concluding with a climactic showdown that even kinda puts The Road Warrior's ending to shame (it hurt to type that). Immortan Joe treats objects like women, man and Miller gives us a little taste of girl power as Charlize Theron’s Imperator Furiousa and her band of kickass women decide to take the power back and blow some shit up along with Max's help. Miller continues his gasoline-doused fairy tale by centering on Max Rockatansky's capture by the cultists that worship the brutish and menacing Immortan Joe, played by the Toecutter himself (Hugh Keays-Byrne) in incredible form.
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While retaining that wonderful post-apocalypse fantasy Miller built over 30 years ago, the 70 year old must have starting huffing nitroglycerin because Fury Road has an electric pace unlike anything ever seen in the series before. It's a movie where you can feel so much heart and passion behind the camera that every frame feels just full of unbridled filmmaking glee.įrom the first frame it's clear that this is a new breed of Mad Max film. In fact there are countless unforgettably powerful frames like that one and it's absolutely incredible to feel like we are now truly seeing the Mad Max that George Miller wanted to make. I'd say it's a great sign you've enjoyed the climax of a movie if your gut reaction is to scream at the screen with your heart pounding a thousand times per second.Īnd I'd also say it's a huge testament to the power of cinema that the image of Mad Max swinging on a pole thirty feet in the air as a tanker explodes behind him will be forever seared in my brain and will never cease to bring a smile to my face. Vincent Survives Stage Accident, Proves Immortality JMusic News Weston Pagano Comment You can preorder the record here.Ħ/26 - Montreal, Québec Festival International de Jazz de MontrealĦ/28 - Ottawa, Ontario Ottawa Jazz Festivalħ/16 - Pemberton, British Columbia Pemberton Music Festivalĩ/14 - Brussels, Belgium Ancienne Belgiqueġ0/1 - New York, NY Radio City Music Hallġ0/4 - Santa Fe, NM Santa Fe National Historic Landmarkġ0/7 - Los Angeles, CA Hollywood Palladiumġ0/8 - Los Angeles, CA Hollywood Palladiumġ0/13 - Toronto, Ontario Danforth Music Hallġ0/14 - Toronto, Ontario Danforth Music Hall Check out the tracklist and tour dates below.